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Study is far less fatiguing when you can break up each day’s effort into a number of short stints. Not so easy, that breaking up, when it ties you to a computer. Here’s my solution: archives of *.mp3 files for loading into a portable player or smartphone. Whole novels rendered into Morse code. In each, the speed very slowly increases. Plural languages offered: English, Esperanto, German, Italian, and Spanish. Those plus also the software I coded for to generating the MP3 files. All free, no strings= attached.

May I suggest using this smartphone app: Smart Audiobook Player available on Google Play. That app has many features. You can even change playback speed without affecting the tone. There is even a sleep timer.

Deutsch

Hier sind die ZIP-Dateien der Morsecode-MP3-Dateien auf Deutsch. Die Download-Schaltflächen zeigen Geschwindigkeitsbereiche in Wörtern pro Minute vom Anfang bis zum Ende an. Beispiel: „20-25“ bedeutet, dass die erste Datei 20 Wörter pro Minute abspielt, die zweite Datei schneller usw., bis die letzte Datei 25 Wörter pro Minute abspielt.

Spezielle Codes: CH –––– (MM), ß •••––•• (SZ), Ü ••–– (UT), ! –•–•–– (KW), _ ••––•– (UK)

Romane

 10-20   “Verfall einer Familie” von Thomas Mann
 15-20   “Der Zauberberg” von Thomas Mann
 20-25   “Der Untertan” von Heinrich Mann

Español

Aquí hay los archivos ZIP de archivos MP3 de código Morse en español. Los botones de descarga muestran los rangos de velocidad en palabras por minuto de principio a fin. Por ejemplo: "20-25" indica que el primer archivo reproduce 20 palabras por minuto, el segundo archivo más rápido y así sucesivamente hasta el archivo final a 25 palabras por minuto.

Códigos especiales: Ñ ––•–– (GM), ! –•–•–– (KW), _ ••––•– (UK)

Novelas

 10-16   “Niebla” por Miguel De Unamuno
 11-14   “La nariz de un notario” por Edmond About
 12-15   “El sombrero de tres picos,” por Pedro Antonio de Alarcón
 13-17   “De las Islas Filipinas,” por Don Luis Prudencio Alvarez y Tejero
 14-19   “Cuentos de amor” por condesa de Emilia Pardo Bazán
 15-20   “El Escuadrón del Brigante” por Pio Baroja
 16-20   “El Señor y los demás son Cuentos” por Leopoldo Alas
 18-23   “Cañas y barro” por Vicente Blasco Ibáñez
 20-25   “Revista Maritima” por Gilbert R. Bossé, VE2BTT

Completos

 15-26   “El ingenioso hidalgo don Quijote de la Mancha” por Miguel de Cervantes Saavedra

Esperanto

Jen ZIP-arĥivoj de MP3-dosieroj por ke vi ekzercigu vin mem pri la Morsa kodo. Inkluditaj estas ankaŭ la tekstaj dosieroj. Elŝut-butonoj montras la vort-rapidecojn ekde komenco ĝis fino. Ezemple: "15-20" indikas, ke la unua dosiero sonas je 15 vortojn ĉiu-minute, kaj fina dosiero de tiu serio sonas je 20-vortan rapidecon. La tipa pliiĝo de rapideco estas po 0.02 vortoj/minuto en ĉiu sekva dosiero. Do elektu, mi konsilas, komenc-rapidecon unu vorton malpli ol via nacilingva lego-kapablo.

Specialaj kodoj: Ĉ –•–•• (CE), Ĝ –––•–• (GN), Ĥ –––– (MM), Ĵ •–––• (JE), Ŝ •••–• (SN), Ŭ ••–– (UT), ! –•–•–– (KW), _ ••––•– (UK)

Noveloj

 13-18   “La Karavano” aŭtorita de Wilhelm Hauff
 14-18   “Genius Loci” aŭtorita de Clark Ashton Smith
 15-21   “Mazirien la Magiisto” aŭtorita de Jack Vance
 16-17   “Retretejo Ulvarda” aŭtorita de Jack Vance
 17-18   “La Urbo de la Kantanta Flamo” aŭtorita de Clark Ashton Smith
 18-22   “Ĉe la Koro de la Tero” aŭtorita de Edgar Rice Burroughs
 19-21   “Domo de l' Se” aŭtorita de Jack Vance
 20-25   “Kugel la Ruza” aŭtorita de Jack Vance

Ligiloj

 xml   html   html   Facebook  Esperanto-paĝoj.

Italiano

Ecco i file ZIP dei file MP3 in codice Morse in italiano. I pulsanti di download visualizzano gli intervalli di velocità in parole al minuto dall'inizio alla fine. Esempio: “20-25” significa che il primo file riproduce 20 parole al minuto, il secondo file riproduce più velocemente, ecc. finché l'ultimo file riproduce 25 parole al minuto.

Simboli speciali: É –•–•• (KI), ! –•–•–– (KW), _ ••––•– (UK)

Romanzi

 08-10   “Vecchie Storie” scritto da Emilio De Marchi
 10-12   “Amore bendato” scritto da Salvatore Farina
 12-14   “Il Sacro Macello Di Valtellin” scritto da Cesare Cantù
 14-16   “Nuove storie d'ogni color” scritto da Emilio De Marchi
 16-18   “Senz'Amore” scritto da Marchesa Colombi
 18-20   “Il fallo d'una donna onesta” scritto da Enrico Castelnuovo
 20-22   “Cantoni il volontario” scritto da Giuseppe Garibaldi
 22-24   “Ricordi di Parigi” scritto da Edmondo De Amicis
 24-26   “Galatea” scritto da Anton Giulio Barrili
 26-28   “Nana a Milano” scritto da Cletto Arrighi
 28-30   “Abrakadabra” scritto da Antonio Ghislanzoni
 30-32   “L'Innocente” scritto da Gabriele D'Annunzio

Accuracy Over Speed

The one-time professional CW operators copied everything down. Sparks aboard ships, telegraphers for Western Union, these all copied message traffic by typing onto a mill (a special, all-caps typewriter). At the US Navy school for radiomen, all sat down from day one before a mill. Reading by ear faster than one could type, while helpful, was never the primary goal.

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Note that still to this day the FCC administers a commercial radiotelphone license for which you can test (as I have done). The Morse requirement is random code groups at 16 wpm and message traffic text at 20 wpm. Let accuracy over speed be your own as well.

I surmise that the slang term head copy can only have evolved from newly baked hams being unaware that the correct term is read. Reading code is done by ear, while copying code means to make a verbatim copy. Saying head copy therefor implies perfect recall. Find those distinctions clearly defined in professional training manuals both civilian and military. So then, read and copy. Plain and simple single-word terms. Those versus head copy and solid copy. Yes, it’s only a hobby. But even so... Each decade seems to narrow the difference between our amateur radio and “Get yer ears on, good buddy.” How nice it would be see even a small reversal in that trend. Correct use of terms seems to me the easiest thing.

Morse Code File Generator

Most other Morse code generator programs available on the Internet run on Java and play through the MIDI device of a sound card. Mine is different. It runs on Perl and works by reading instructions and/or plain text in from a *.txt file. On Linux and Windows both it can generate either *.wav or *.mp3 . Nearly all players can handle both formats.

On Unix/Linux/BSD/OS X

Download:

 Perl     POD   Perl source code & documentation

Change file extension from *.pl.txt to *.pl. Adjust the path in the shebang line as apporpriate for your own distro. I have it set for Ubuntu Linux. Your’s might be different. You very likely already have Perl, but in addition need to acquire these two extra modules for Perl: Audio::Wav and Time:HiRes. Get those in the usuall way from CPAN, pkgsrc, or wherever. Read the POD to learn all the features. Also you'll want to be sure LAME is installed (unless you want only *.wav and not *.mp3 output).

On Windows

Download:

 ZIP  Perl source code, documentation, & *.exe versions

First, here’s the easy-peasy way. The ZIP archive contains two stand-alone 64-bit *.exe files: gus_jumble_words.exe and gus_morse.exe, which are simplified, one-click versions that ask questions rather than take their arguments on the command line. Now generates either *.wav or *.mp3 the same as when running on Linux. Source code in Perl is likewise included.

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Smart Phones

I nowadays mostly listen to audiobooks on a Samsung Galaxy S20. The app I employ is named Smart Audiobook Player, installed by way of Google Play. It works for all manner of MP3 audiobooks in addition to playing my MP3 practice files. All, that is, save Audible, which files are encrypted and work only with the proprietary Audible app.

MP3 Players

I have owned several MP3 players, both cheapos and super nice. My program tailors audio files to work on both. My cheapest is a Sandisk Sansa Sport/Clip player, a tiny thing with an itsy bitsy screen. To support the Sansa I set the genre tag to ‘Audiobook’ per the Sandisk website instruction (even though it isn’t a proper ID3 tag). I likewise set the album tag. That is so the Sansa will group them. As of August 2018, the script now automatically groups files into sub-directories of the Sansa's 128-file maximum. Hopefully that is also good enough for other players.

My better player is Cowon iAudio 10. For audiobooks to work on that one I don’t have to do anything special. I mention it however because of a most useful feature. The Cowon lets me vary the playback speed while at the same time compensating for tone. Thus I can reduce or speed up a particular CW audio file while still retaining the 750 or 800 Hz that I’m used to hearing. So if it’s unavoidable to skip a day in my CW speed-gain practice, or if I’m tired or for whatever excuse, I don’t have to back up to an earlier file. I can keep going from where I left off. Handy when it’s a story downloaded from the Gutenberg project or cut-and-paste copied from out of an ebook. In fact, that feature is excellent too for listening to a regular narrated audiobook under conditions of noise or when my attention needs to be focused mainly elsewhere. Like when driving. Just thought I’d mention in case you were shopping. bokep viral malay daddy ash sang pemuas binor jilboobs bbw

One feature which the iAudio 10 regretably lacks (and is the main reason why I bought the Sansa) is an external hardware button for pasusing playback. Instead you have to activate and cue the menu. Very annoying when I need to pause in a hurry, like when restaurant wait staff has come to take my order. bokep viral malay daddy ash sang pemuas binor jilboobs bbw

Other CW Study Aids

If my system doesn’t suit your taste, here is a list of alternative providers. Maybe one of theirs you’ll like better.

Visit:  SKCC   LICW   DJ1YFK   DL2KCD   AA9PW   G4FON   K5TR   AH0A   M0TRN   W5BRB   SMRCC 

Contact

Links:

 xml  My ham radio webpage.
 html  My QRZ webpage.
 html  My personal webpage.
Report any problems.

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